Reviews Ww and Thhe Dixie Dancekings Burt Reynolds
| West.Due west. and the Dixie Dancekings | |
|---|---|
 Theatrical release poster | |
| Directed by | John Thousand. Avildsen |
| Written by | Thomas Rickman |
| Produced by |
|
| Starring |
|
| Cinematography | James Crabe |
| Edited by |
|
| Music past | Dave Grusin |
| Production | Triangle Productions |
| Distributed past | 20th Century Flim-flam |
| Release date | May 21, 1975 (U.South.) |
| Running time | 91 minutes |
| Country | Us |
| Language | English |
| Budget | $2,805,000[1] |
| Box part | $17 meg[ii] |
West.W. and the Dixie Dancekings is a 1975 American comedy moving-picture show directed by John Yard. Avildsen, starring Burt Reynolds, and written by Thomas Rickman. The 20th Century Fox film features the acting debut of Jerry Reed.
Plot [edit]
In 1957, West.W. Vivid (Burt Reynolds) is an easygoing cheat who robs only SOS ("Southland Oil System") gas stations. He meets the Dixie Dancekings, a country music band, while fleeing from a policeman. Dixie (Conny Van Dyke), their vocalizer, gives him an alibi. He claims to exist in the music business, and ends up promoting the group. Wayne (Jerry Reed), the ring's leader, does not trust him, but the others all have faith in him.
The SOS chairman sends for Bible-thumping ex-lawman Deacon John Wesley Gore (Art Carney) to catch Westward.West. Meanwhile, W.W. and the newly outfitted band go to see Country Bull Jenkins (Ned Beatty), a highly successful singer-songwriter. He is willing to write them a song for $i,000.
W.W. talks the Dancekings into a banking company robbery (SOS has just expanded into the cyberbanking business organization) that does not work out quite as planned. When Gore broadcasts the clarification of the getaway car on a radio revival show, W.W. burns up his rare, distinctive car (see "Golden Ceremony" Oldsmobile subsection below).
He is ready to separate from the Dancekings in order to shield them, just then he hears them rehearsing Wayne's new song. He persuades Land Bull to listen to it; the man is and so impressed, he puts them on the Yard Ole Opry radio prove. In that location, Gore catches W.W., using an exact replica of his burnt car as bait. Gore makes him drive to the police station, but just as they arrive, Gore realizes it is now Dominicus, then rather than violate the Sabbath, he lets him go (with the machine).
Bandage [edit]
- Burt Reynolds as Westward.W. Brilliant
- Conny Van Dyke as Dixie
- Jerry Reed as Wayne
- Ned Beatty equally Country Bull Jenkins
- James Hampton equally Junior
- Don Williams every bit Leroy
- Rick Hurst as Butterball
- Mel Tillis every bit GOB
- Furry Lewis equally Uncle Hirsuite
- Art Carney equally Deacon John Wesley Gore
Production [edit]
Development [edit]
Burt Reynolds was originally going to make the film with Dick Richards in belatedly 1972.[3] Nonetheless, he dropped it to exercise The Homo Who Loved Cat Dancing.[4]
In January 1974, Reynolds signed to do the movie, and filming started in February 1974 in Nashville.[5] Reynolds approved John Avildsen on the basis of a recommendation from Jack Lemmon, who had worked with the managing director on Salve the Tiger.[6]
John Avildsen says Sylvester Stallone auditioned for a supporting role. He did non get the job, but starred in Rocky, the director'due south next picture.[7]
Reynolds wanted Dolly Parton to play the female lead. She declined; the 2 later worked together on The Best Niggling Whorehouse in Texas.[viii]
Filming was marked by tension betwixt Reynolds and Avildsen. The two men did non become along professionally or personally, and there were ofttimes clashes in approach and temperament.[half dozen]
"Gold Anniversary" Oldsmobile [edit]
Example of a 1955 2-door Oldsmobile Holiday 88
1 of the primal props in the motion picture is the motorcar that West.W. drives. In the film, it is described equally a special 1955 "Golden Ceremony" Oldsmobile Rocket 88, of which just 50 were purportedly made. It is a 4-door sedan painted gilded with black hood and side accents and chrome trim. In reality, there was no such special model, and in any event, 1955 was non the 50th anniversary of Oldsmobile.
Iii such cars were custom-built for the film from stock 1955 Oldsmobiles.[9] One was destroyed in the fire scene, one was taken to a museum, and the third was used as the camera car, with the roof removed. Radio Shack in California had a promotional giveaway for the third automobile shortly afterward the film was released.[ citation needed ] The Radio Shack connexion is that Burt Reynolds and the Bandit movies created a demand for CB radios, which amounted to thirty% of Radio Shack's sales during the height of the craze.
Reception [edit]
Critical reception [edit]
Vincent Canby of The New York Times enjoyed the film:
[Y]ou may find John G. Avildsen's Due west.W. and the Dixie Dancekings an unexpectedly pleasant surprise ... One of the charms of the picture show is the coincidental way information technology seems to discover its story while it wanders from one modest crunch to the next ... The picture show's supporting roles are very well cast.[10]
Roger Ebert of the Chicago Dominicus-Times gave the film ii stars out of 4.[11]
[D]irector John One thousand. Avildsen seems to exist going for some kind of mythic meaning larger than the movie can concur. If only the movie had stayed closer to street level, had engaged itself with the lives of W. Westward. and the ring, information technology might have been more successful.[11]
Box part [edit]
The motion-picture show earned North American rentals of $8 meg.[12] [thirteen] Information technology was one of the studio'due south biggest films of the year.[14]
When the flick aired on U.Due south. TV in January 1977, it was the 2nd highest rated show of the week.[15]
Burt Reynolds [edit]
Reynolds said the film "turned out incorrect but it made a lot of money. It was supposed to be a special, warm and lovely lilliputian film. It was important that we non make fun of the people in Nashville as opposed to Nashville. It wasn't that kind of movie. It was a bouquet to Nashville. But I got into a lot of fights with the director."[16]
Nevertheless, Reynolds liked Jerry Reed'south performance so much he later bandage Reed in his first film as director, Gator (1976).[17]
Legacy [edit]
Quentin Tarantino credited the novelization of the film as getting him interested in writing. He bought the novelization and would read it every few years. Tarantino said in 2003:
I establish out later that Thomas Rickman was and then disgusted with what they did with his motion picture that he asked to write the novelization, so that one person out there would know what information technology was that he intended. I'm 40 now, and I still read W. W. and the Dixie Dancekings every three years. I'm that 1 person. When I saw the movie, though, a few years after I'd commencement read the book, I was like, What the hell is this? I mean, I was offended. I was literally offended. The novelization was pure. But this was Hollywood garbage. And so that's why I started writing screenplays, because I was so outraged.[18]
See as well [edit]
- Listing of American films of 1975
References [edit]
- ^ Solomon, Aubrey. Twentieth Century Play a trick on: A Corporate and Financial History (The Scarecrow Filmmakers Series). Lanham, Maryland: Scarecrow Press, 1989. ISBN 978-0-8108-4244-ane. p257
- ^ "Due west.West. and the Dixie Dancekings, Box Part Information". The Numbers. Retrieved July seven, 2012.
- ^ Weiler., A. H. (24 September 1972). "S-s-s-s-s...It'southward the Snakes!: Information technology's the Snakes". New York Times. p. D15.
- ^ Haber, Joyce (21 January 1974). "Adjacent for Burt: A C&W Bandleader?". Los Angeles Times. p. e8.
- ^ "Reynolds Signs for Dixie Dancekings". Los Angeles Times. 31 January 1974. p. d8.
- ^ a b Powell, Larry; Garrett, Tom (2013). The Films of John Thousand. Avildsen: Rocky, The Karate Child and Other Underdogs. McFarland. pp. 58–64. ISBN9780786466924.
- ^ "Interview with John Avildsen". Popular Entertainment.
- ^ Non Dumb, Not Blonde: Dolly In Conversation. Double-decker Press. 2017. ISBN9781783239672.
- ^ "The Way It Was", 1955 Olds Golden Anniversary. Archetype & Custom magazine, October 1982. The iii movie cars were congenital at Doug's Custom Store in Nashville, Tennessee.
- ^ Canby, Vincent (July 24, 1975). "West.W.'Is Pleasant Summertime Surprise (original New York Times review)". New York Times (Movies.nytimes.com). Retrieved 2010-10-04 .
- ^ a b Ebert, Roger. W. W. AND THE DIXIE Trip the light fantastic toe KINGS. Chicago Sun-Times, January ane, 1975
- ^ Solomon p 233
- ^ "All-fourth dimension Pic Rental Champs", Variety, vii January 1976 p 44
- ^ Feature Films Help Fox to 261% Proceeds in Earnings Delugach, Al. Los Angeles Times 25 July 1975: d15.
- ^ 'Chapman,' 'Smile' Push CBS to Top in Ratings Los Angeles Times vi January. 1977: f17.
- ^ Workaholic Burt Reynolds sets upwardly his next task: Light comedy, Siskel, Gene. Chicago Tribune 28 November 1976: e2.
- ^ Reed plays a heavy, with no strings, Hurst, Jack. Chicago Tribune 14 January 1976: b3.
- ^ Hirschbergnov, Lynn (9 November 2003). "Screenwriters Are (Obsessive, Artistic, Neurotic) People, Too". New York Times.
External links [edit]
- Due west.W. and the Dixie Dancekings at IMDb
- W.W. and the Dixie Dancekings at TCMDB
- W.Due west. and the Dixie Dancekings at Rotten Tomatoes
- W.W. and the Dixie Dancekings at AllMovie
Source: https://en.wikipedia.org/wiki/W.W._and_the_Dixie_Dancekings
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